Screening the Dark Side of Love From Euro-Horror to American Cinema

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Screening the Dark Side of Love From Euro-Horror to American Cinema

Screening the Dark Side of Love: From Euro-Horror to American Cinema by Karen A. Ritzenhoff and Karen Randell
English | 2012 | ISBN: 0230341543 | 256 pages | PDF | 2 MB

How can love be understood globally as a problematic transgression rather than the narrative of “happy endings” that Hollywood has offered? The contributors utilize varying methodologies of textual analysis, psychoanalytic models, and cultural critique and engage with a broad range of films to explore issues of gender identity and spectatorship.

Hunted, Calling Me Home, The Amish Best Friend, The Book Thief, We Are Okay, Wait! I'm Not Trained for This! Confessions of a Stay-At-Home Mom, Jesus' Son, 1984, No Better Friend: One Man, One Dog, and Their Extraordinary Story of Courage and Survival in WWII, Marian's Big Book of Bible Stories, Ekklesia: Rediscovering God's Instrument for Global Transformation, Guy Walks into a Bar... (Jack Reacher, #12.5), Deer in Headlights (Good Gods #1), Crossing the Horizon, The First Man in Rome (Masters of Rome, #1), Race for the Flash Stone (The Anlon Cully Chronicles, #2), City of Heavenly Fire (The Mortal Instruments, #6), The Punk and the Professor, Just a Little Junk, Dissolution (Matthew Shardlake, #1)